In my youth, there were no barriers that could possibly stop my dreams from coming true. There was this internal deeply held belief that only my fear of taking chances could hold me back from the realization of my life goals. There was this magnificent sensation of omnipotence that was my companion on a daily basis. Living life on the edge was exciting. Even though falling was inevitable and painful, lifting myself up and fighting on was an incredible feeling and needless to say filled with new knowledge of the possible.
When seeking relief from my weary journey, dancing become my refuge. I loved to dance. From my early years in high school, I wanted to be one of the best dancers. Woodstown High would have 'canteens' on Friday night. They were held in the gymnasium with all the African Americans on one side of the gym and the whites on the other.
Showing up in 1960 with my white bucks or cowboy boots with my tight blue jeans and a checkered shirt, I was ready to strut my stuff. This was the age when The Jitterbug was heading out the door and people would learn to dance with each other without touching. Chubby Checker started it with "The Twist." Despite high parental and teacher disapproval 'around and around' we would go. Dipping to the fly and slowly twisting back up. The Twist came easy to us and think maybe the hula hoop craze in 1958 might have trained us for the transition.
In the late 1960's and early 1970's - the age of Aquarius - one could get stoned and dance with oneself at concerts. Golden Gate Park in San Francisco provided the site for just such bliss. We added strobe lights, and psychedelic patterns to take us to 'new dimensions.' Strangers would suddenly be matching your moves right in front of you and big dopey grins would appear on our faces as this was the age of free love, peace and harmony!
Coming Out provided a freedom, an abandon that I had never known on the dance floor. Finally dancing with men, singing together, flagging and watching the brave hot young men dancing on top of speakers. Grinding together in the most erotic of ways provided a place of both naughtiness and total sexual freedom. Studio One in Los Angeles seemed huge at the time and it was the must stop every Friday night. Was totally confident of my dancing abilities until I walked into my first gay disco and realized the talent that was surrounding me. Not seeking to create new moves on my own that would solicit envy from others, I instead did my best to imitate the best dancers.
As I have gotten older, life has become less about possibilities and more about limitations because of physical health. Of course that does not mean you don't still push up against the edge but you chose to excel at those things that are possible instead of everything being possible.
In my youth, we used to marvel and love to watch 'older people' dance our dances. Now I am one of those older people who because of some limitations can no longer 'cut a rug.'
However, I still dance in my dreams. With the lights, music and all the essential ingredients reminding me of my youth, My knees are not bad and my legs are not sore and in those dreams at night I am young and dancing away. I love those dreams and count the nights they appear as some of my best nights of sleep. While listening to music at home, I wiggle this and that, shake my cane and laugh at loud the joy I feel with still moving my body to music.
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